ii.esecalligraphy

theroportantthanld,objectiveobservations

horsebaustbetrue.

beenpoi,inthediscussionontheidealofanhood

iopailovetheandhisspiritstne.he

sendly,esepaintingsarealuntaintopsandspecializein

stying,aseeountainclouds”entwine

baptisfagreatpainter:

brushountains,aohavelosthielfin

thoseaegrandaspeountainpeaksorrocks,hosewhohave

iablethatheshouldobtainaionofthespiritasal

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eseart,ustbeginandthesourceofartistispiration.

supreonyhnature.

gesitsshadeandlourbetoingandnightorbetleardayanda

naturesrhyth,itisstillpossibletotraphasis.ithasalready

theartistsurveystheexpansionofthespirit,andthisspiritgoes

there,obliviousofeofthepainter,andthatisissurchargedh

ains

hissurroundings,inannerpuzzlingtoothers.sotishegoestotheplace

thispla,andlifealanaltitudeoffivethousa.

odsandfeelings,evergingaself.

...

huangtzuboos,trees,

peoplefondofhorsebackridingalontonegoesupon

isthespiritualbaptisnnature.sodidlijihhua15651635describediespiritual

alingedalittlehthereclusespassionforleisureandsolitude,h

untaincaleins,andorexhaustedthisspirit,he

nicateittothoseayalter,buthisspiritof

travelsagainaizeshielfiainair.

elevation.itisstraspiritualelevationalhphysicalelevationon

stknoiliarustkree

sofeseart.nsequently,itsteristiot

theuntainsaroundbanff.andhaviosuchagrandsurrounding,itis

seeainsisasearchfrandeurinnature.

alloisuniversalandthattheesedonotoonopolyof

aeseartistinaricaofalltakeforhissubjectthegrandyonor

theretreattotheuntainsans,therefore,alsoasearoralelevation,

intohispainting.then,chastenedinspirit,heesbaitylifeandtriesto

ostiortantreasonfortravel.thusfroisgodlikeheight

itisthisspiritofountainairshanlincki

allprobleofartareprobleofrhythheryingtouand