strusustsolveforhielf.thus,through

asthisarthasahistoryofhousandyears,andaseveryertriedto

cultivationandappreciationofpureposition,

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calligraphy,theesescholaristraioappreciate,asregardsline,qualitieslike

stfruitfulofresultsoodandapplied.asstated,ese

fotten,andthelinesandforareappreselves.inthis

such,asapartfrotent.apaintinghastonveya,butaten

hebranflohafehespringing

toappreciateharny,proportion,ntrast,balance,lengthiness,paess,and

andforandithasdoneso

hasbeenexplored.theientpossible,andtheeseters,heoretically

realisethatthesee.”

charaveysonlyitsoyoflineandstructure.inthisabsolutelyfree

sotiseveyinslouessularity.thustheartofcalligraphy

itseetothatand

sihofthehorse,

distinguishhielfbyaructure,therefore,incalligraphy,if

squarebutareposedfroheoddestelents,presentaninfinitevarietyof

providesasofaesthetiiationayhe

fundantalstrokesofing.ifthereisohis,hewill

fpaintii

structurethatyetkeepsitsbalance,heeersbytheirfinesse,all

theresobehtypesarenoteasilyseeninotherfieldsofeseart.

position,standsiiontopaintingaspuretheticsstandsiionto

byderivingitsartistinature,espeals梩

isofsignificetotheisthefactthat,notonlyhasitprovidedthe

...

field,everyvarietyofrhythasbeeeduponaypeofstructure

inanythioftheeseartistid.

therefore,theairedevotiontopurefors

bodyoftheleopard,thessivepahetiger,theslegsofthedeer,the

certaintypes,suchastheyularityorofaforevertoppling

ssiveness,ruggedness,araintorfreedoandasregardsforheistaught

aesthetiisticipleaybe

engineeringorastrono.inappreciatingesecalligraphy,theaniirely

force,suppleness,reservedstrength,exquisitetendeess,sness,ness,

basesofesenotionsofbeauty.