givingusonlyapletelysatisfying

transfortioniistsnd,shoofitsirrelevasdisharnies,and

iii.painting

sandstructuresofesearture,weshallbe

thepointsofntrastarationeasiertotradhatthe

hewillbe

odeepainting,and

thefullsignifialligraphyasthebasisofeseaestheticswillbe

deternedbyitsoonyandrkedbyacertain”rhythcvitalityanda

spirit.

epoetry.thatdifference

abletoessquare,inlinesandfortrulyhyofthe

hihoutlosingitsessentiallikenessorintelligibilitytoothers.itissubjective

ishardtograspandexpress.ithasaosphere,visibleine

esepainting,thefloure,isdistinguishedbyaspiritandan

abletheprinesecalligraphy.thesebasic

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artisthasinterferedaterialrealityaedittousonlyasitappearsto

nner.sohohepicturebeforeushasundergoneaninnerprocessof

boldnessandfreedofthebrushpresstheonlookerinanunfettable

ideasofrhythforndatspheregivethedifferentlinesofeseart,like

painting,butessentiallydifferentandachievedbydifferentans.itshoain

enoofterial,rkedbythenyblankspaces,anideaofposition

it.thedesignisreobvious,theelinationofterialrerigidlycarriedout,

seeninastudyofesepaintingandarture.inthelinesandpositionof

nn.itoachievea

naofanart.

atsphereallitso

poetry,painting,arture,porcelainandhousederations,aialunityof