affectusbytheirlonelinessandtheirshiveringld.inthepoosphere

te,beforeoneleaeventhefirstessentialsofpainting.of

englishandarisocietyuresintheirflatsby

theygenerallybanishtheaionbycallihings

nature.heshouldousthebeofthatnionofnature,and

gongpilesofksandbrushwood

reins.thatis”rhythcvitality,”ettijuung,thehighestidealof

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bathinggirlshouldbedetorepreseeer.”todaynyese

”art,”andtheonesadethen”cr

vienneseporeoftheirfriendshavepreseheorchrists,

theisdesubservienttothe

recreateforusapicture,”surchargedoodsandfeelings,evergingand

felefigurecalled”ion.”thereisstilltodayalargeproportionof

andhideshielfinbaoogrovesfordaysioabsorbthespiritoflifeand

niyiinligiveusapindesolation,htheuntryastretch

grotesquethanthatafelefigureshouldbelabelled”ion”orthatanude

ther”abovetheirntelpiedutelatea

ofblankenessareessosparseoffoliagethatonlyafewdanglingleaves

hespiritofthethingsasitisinstilledintohissoul,and

notthebeautiesoftheirbodiesbutthelihehehis

eastandthefeleforortheindasbeingre

anbody,espealebody,seetotobethest

eetagain

actualliving”dels,”strippedandplacedbeforeoneseyes,tobestaredatdailyfor

arestilluoreheelvestothefaivilizationrequires

eartisthedifferehesourceofinspiratioselfforthe

andthisgeneralrhythalldetailstenandonlythetralinood

ursetherearealsonyeersy

singularteristifostsingularntrastbethineseand

forofnature.ifthereisanyapprealehunforssuch,wesee

ight,likeyiijen,giveusalandscapeof

thisisthessageofeseart,thatitteachesusaprofoundloveofnature,forthe

dofnature.thebestofelandscapes,likerots3giveusthe

sayingthattheroosrentedfuished,andknotodoha

saatsphereandthesafeelingfoature,butirayalofhunfor,

notraalefest,

lingistsherodenlethetrees,

ihegeneralistnessoftheatsphere,or,like