st,oobe

本章已阅读完毕(请击下一章继续阅读!)

actorshadtopetehthepeddlerscries,thebarberstuningforks,the

hsiaotiao}tofindsoofovesre

greatchukoliangireetsofoldpeking.

aniaina,unknoi

fropurelyliterarypointofvieatiatypeofpoetry

usedasaansofattragattention;theyalheplaysanduldbe

yfireliefthat,

instcases,hoph

oddnts,andyouhaveapictureoftherelatiohe

heardaleaovies.when

or”operania,”aenseeaniafthelohdishevelled

dodiatelyaftertheoasioheatrehereforeintheopenandthe

enatingfrohegongsanddruinlitaryplaysandtheequallynerverag

arealfoodof

hairandcladintatters,singingtheairsofkunggdagthepartofthe

ofthepeople.igineapeopleassesknoireetsandatall

...

theesetheatreofthebettertypeinayardliketheelizabethare.

havebeenheard,asanybodyyverifyforhielf.thegongsanddruwerealso

inofthedruandgongsandthefalsettolybeuoodinthelightof

lovelyasthetaryis,asandtheodddratigs

ltsugarsellerssllgongs,theshoutingofn,enandchildrenandthe

esetheatresurroundings.

barkingofdogs.abovesuchadin,onlyathinfalsettokeyedinahighpitchuld

frohesaxophoneandothersounddnessfrohejazzbandany

”civilized”odetheatrebuildings.

falsettooflesingers,.this

butsohoselvestoit,asthearishave

orlessaloaintraditio

adaptedtheelvestojazz.theyheylifetogeta”kick”outof

thepoor.deeperthananyotherliteraryart,theoperashavegohehearts

abovethegroundiatheopen,orshtacrossathhfare,tobetaken

stagediheatrebuilding,thevoluofhusproducedistrulyterrific,

unterevideheapparentforteristoleratesqueaks

fnvisitorsatesetheatresareoftenstruruciatingnoise

esegentlensnervesonend.itispossiblyallaquestionofadaptation.butthe

it.tiedand